Thursday, 1 September 2011

a cul-de-sac of poems


etched from inside out









pole shadowed my wall like
a modern day gallows, all these
broken down hyphenated words of wonder.

My electric profile bed lifted me to forty-five 
degrees and I stumbled like a thunder-bird
figure into the wheelchair.  Erratically I fall
into and out of my day.  The end of my story
is the beginning of my tale , I dwell on the edge
of sorrow, on the cusp of suicide.

I dreamed that someone was there
I woke to silence the hum of  the wheel-
chair charging the poets essential loneliness.

I dreamed another world
another street an inner music
I was dreaming poetry
I went deeper
into the shallows
and found another form.











1.


  
       SILKEN


       A single rose emerges.
Plants its indelible mark
   on the corner of my eye.
I want to cut you off.
       Place you on the surface
of my dreams caress your stem
    and smell the fragrance
          that secretes.
            I have you
                 here
            on the bed
              extracting
           Leaves marked
              like freckles
             on your back. 
            Your
quintessential
           silk
        on my lips
       drop
        lets
     of summer
              rain
              fall from
             The petals. 
I place you in a glass on my windowsill. 
The young thorn pricks my finger inserts
Beneath the skin reminding me how to hold
you honestly, tenderly.  I know your vibrant
colour wont last but beside it on the stem
         is another bud to bloom.





SHE

She captures the light
Like a grouped collection
Of solar panels painted


by Picasso.

She’s a necessity, a gulp of water
When thirsty a droplet of joy
in my mood that drastically
changes my spectrum of colour.

She’s life and love
You don’t need the word                              

Happiness.











WHAT PATRICK KAVANAGH SEEN
 or a disused house in county Louth.

  Just up Duffy’s lane over the fields towards Mucker
Kavanagh country the borderlands just a milefrom Hack-
balls- cross, through his poplars over his wooden gate
and I was lost in an old abandoned cottage
it was as if the people had just walked out the door like
a film set of Patrick Kavanaghs catholic Ireland.

I was lost in a world of sacred hearts blood from thorns
and sepia-toned pictures of Jesus, bloody icons littered
every step I took, It seemed as if I had walked into 
his poems in memory of his Mother and Father.  
I didn’t even know what a poem was then,
all I knew was he had the jack of a car and I had 
the branch of a tree and we were out on a mission.

                                                                         
We believed that we were doing border patrols for our     
childhood force the I.R.B.P. Irish republican border patrol
with the jack of a car the branch of a tree and Muttley
the O.C. of dogs.  He was beaten kicked and rifle butted
for years by the British, he hated men in uniform so the cattle
and sheep were men in uniform being chased through the fields
sometimes he got a little close and got the odd kick to the head.
We we all traumatised by Belfast but we were running a free.








Wednesday, 31 August 2011









A FENCED IN POEM


I’m digging for a soul
Without god
In this wild existential
Garden.

I step away from
a sentimental path
and find light in dark
a truth in my truth.

The wind blows
Everything west
the world looks like
a Donegal landscape.

















HALF A SESTINA
for Stephanie

How can i write a sestina for you
six stanzas of six lines concluding death
killing yourself in a three- line envoy
I, who doesn't know the time of day
when the lines of your life were diverted
to lie low in the blue-stoned soil.

Reliving grief, my hands delve in the soil
moulding a clay figurine of you.
Retracing the black paths that diverts
my gaze away from sunset to death.
A photograph of you on your wedding day
your smile did not convey loves envoy.

Was it back then that the messenger
whispered phlegmed words that soiled
you soul to fall early to your funeral day?
did a touch reach out and abuse you
fondling filthy caresses to die
out there on the back roads where diverted

diversions took you
round and round
to fall foul of the dead end?



THE RED COAT

During times of universal deceit, 
telling the truth becomes 
a revolutionary act. 
                      George Orwell

I was ten or twelve
when my father
told me to burn
a good red coat.

This was Belfast
In the early
seventies so
I done what
I was told

but

to this day it
has always
niggled me why
I had to burn
that coat.


My father is dead
and my sister
who was wearing

the coat

she killed
herself
and I think
this is why.

This was 
the coat
that carried 
the gun
that killed 
the man?



Tuesday, 30 August 2011

DEPTH CHARGE

The depth
of my poems
Were 6 x 6
a good memorial
or a red red rose.

I read the books
And dug through
The sedimentary
Sentiment.

As you see
My poems
Are getting
Shorter. 

Life in this
Wheelchair
Is 2 x 2 but
Less is more
Than more.




Pagan Poet


One sylabble
Appears
On the page
The word
Sun.

The clarity
Of the new
Day forms
The seed
Of a poem.

The soft sway
Of language
Breezes across
The fertile
Earth.

CUT DOWN

The shards of light rest
On summer grass like
a sprinkling of snow.

The light reflects
of cars and shadows fall.
The scarlet and rustic autumn
Fall upon the ground.

Im sitting here projecting
The past, the present
and the future.

A cop was killed here
yesterday and a lawn is cut-
down today.  I’m in the present
as sparse as summer trees.
summer skies, blue beyond blue.

Sunday, 28 August 2011


THE WET-ROOM

Sitting here
on a disabled 
toilet with a lap-
top resting on
my lap and wheel-
chair in front
to stop it falling.
      

I’m bone dry
Here in the wet-
Room washing
away and erasing
words.

Creating an in-
let and an out-
let of poetry
that shapes
my shore.

Wednesday, 10 August 2011

**


MAN MADE TREE

The pollen of thistle-
down heads north
on a gust that carrry’s
with it blue plastic bags.

They passed my window
And I imagined a tree in
The arse hole of nowhere
full of pink and blue

plastic leaves.




THE WOMB DREAM


Laying here in the dark
My phone my hub and
My TV on stand-by
Are like cars in a city-
scape when I blink.
I put the lamp on re-
membering my dream:

holding the bed-rail
and the monkey pole
on the back seat of
a taxi swerving cross-
town traffic holding
on to this white
knuckled dream.

The vomit and the bile
Are like a mouthwash
Behind my teeth.
I manage to gag it
Back down.  Imagine
I’m getting motion
Sickness in a dream.

A girl is on my lap
Giving me a welcome
To New York blowjob.
This isn’t just any
Dream this is a womb
Dream im being born
An adult, her waters
Break and I come
Gushing out onto
the hospital floor.

I switch the lamp off
And im in the dark
Again watching lights
Dance across my room.
My carer calls and pulls
The curtain and my foot-
Falls onto the floor
And I start to forget

The cityscape the womb
Dream and the dancing
Lights.   I hold the bed
Rail and the monkey
Pole and stumble into
Reality, my wheelchair.




CONTRABAND

"War is peace. 
Freedom is slavery.“ 
                    George orwell
1.

The cows are lying down so
the rains aren’t to far away.
I was going to draw this land-
Scape but ill try it in words:

The road and the river beneath
Me cascades into an s bend
Washing away and erasing
the memory of the old
smugglers route.

I bet if I stopped and searched
The cars all would have contra-
band.  I wouldn’t mind a bit
of contraband,  it sounds good. 
My Ordinance survey of the traffic
is 12 to 15 cars every 30 seconds.

Ill try to capture this poem in
A thirty second parameter.
The black Mercedes came from
Nowhere and crossed this bridge
Where I‘m parked in a blue car
Craning my neck to watch a heron
dander softly through the water
Craning its neck for prey.  At
This meeting of the waters caged

Like a prisoner on this bridge parked
Into a thirty second span where a high-
Way man died a hundred years ago
And he’s buried on this highway
beneath a blue cloudy sky.  I start my blue
adopted car and drive of into disability.

2.

the roots have creased and lifted
the tarmac path like tiny ramps
for the wheelchair to slow me
down.  I sit by an empty bench
where on sits my book.  I look
hard into grass and hear
the shores lap my shore.

I wish this tiny peninsula
Would float of into Lough
Neagh but I would still
Be tied to tradition.

 I sit here in "The galley"
 café among the marina
men talking tides
and the new
 mooring
 tying them
to tradition.


FOOTNOTE:

were all tied to the gallows of tradition
life seems like an illegal existence.
so are we watching that trival tripe big brother
or is big brother watching, this blog is my diary room.


A CLOUDY POEM

“Poetry is the sound of sense”
                                       Robert Frost

Just as I write this title
(a cloudy poem) it be-
comes abstract folding
into the cream of my crop. 

I’m watching a cloud fold
into a cloud, I could say it
looks like a greyhound but
some one else will say it’s
a rat or a cat so lets just say
it compresses into a cloud.

Poetry folds in on itself, it means
all things to all people.  Every
word has to have a way in

 and a way out.  Folding
and folding and folding and folding
in on itself compressing into a cloud
of vapourised emotion, a poem.






SILKEN
For p

       A single rose emerges.
Plants its indelible mark
   on the corner of my eye.
I want to cut you off.
       Place you on the surface
of my dreams caress your stem
    and smell the fragrance
          that secretes.
            I have you
                 here
            on the bed
              extracting
           Leaves marked
              like freckles
             on your back. 
       There upon
         The fresh
      Clean space
is your little
 hill
      blushing.
Your quintessential
           silk
        on my lips
       drop -lets
     of summer
              rain
              fall from
             The petals. 
I place you in a glass on my windowsill. 
The young thorn pricks my finger inserts
Beneath the skin reminding me how to hold
you honestly, tenderly.  I know your vibrant
colour wont last but beside it on the stem
         is another bud to bloom.




SKY FISHING

For Sinead and Glenn

I’m looking through my window
Watching a white cloud drift like
An 1830s ink pot and quill in
A blue Keats- ian sky.  My secret
Language whistled not the sash
Or the soldiers song and blocked
The bombs and bullets of twenty
Four hour and forty eight hour
Curfews. 

That language that was on the tip
of my tongue when the camouflaged
frankenstien monsters goose-stepped
Through my home tramping
Across culture.   My dads old
78s collection lay broken on
the floor the plaster tore of walls
and floorboards pulled up.

Like a scene from an Akmatova poem
I can still see it now in sepia-tones.
Those days of milling the young old
Have been replaced by books
And the secret language I stored
Has beome these words of touch-
Able dreams.  I was a space cadet
Still am thank you soupdragon.





THE SHAPE OF SLEEP


Has moulded my pillow
into my fathers bed.

He sleeps in soil, in me
tossing and turning memory.

The few of his words
I remember have fabricated
my sleep and are now
fabricating my day.



A MAGIC HAND OF CHANCE

I.M John Keats

I shook this living hand warm
and capable of earnest grasping.

If it cold in a melancholic ode
In the veil of deaths delight.

When that fit of melancholy
Falls like a mournful cloud
Do not weep my rivers of tears.


a prose-tale

the name
implanted
itself took
root and merged. 
a half truth,
a distorted memory.

one that really
did happen?

its as if its
behind sight
the emotion
removed.

the thought
you thought
was true? 


becomes
a prose-tale.





BAY A

The tree
In the mirror
By the pebble-
Dashed wall.

Looks cold
Dark naked
and alone.


BLUR ON A WINDOW IN THE MIDDLE OF THE NIGHT

For C.D Wright


That image is drifting away already

 an image coming out of an image.

a man standing against the body of a man.

Will my sons son ever see the sepia-tones of the past.

Will they hold an ebony and ivory walking stick

Stumbling between this world and that

In an old abandoned cottage.



I took my five a day today, tablets.

My day begins in silence and poetry and ends

In silence and poetry.



An image within an image.

I go to my hide, my will to power.

Turning another days muck into gold:

A blurred memory from childhood stumbling across a main road

With my eyes closed to see what it would be like in the dark.        




BUS STOP

You who wrote on water


We have come full circle
From Keats’s waking dream.

Far beyond romantics revolutions
punk and new romantics.

We have been through sentimental
fairytales and its time to jump off.

Let the bus drive past the stop that says
Slave morality and jump off into the un-

Known round and round the roundabout
Through the country the cities and towns

And get off at the balancing lakes.





 COME LEG OR I’LL DRAG YA

            Its funny
how life
            becomes
a statement.

I used to laugh
                     at people who
were unbalanced.

Saying,
   “come leg or ill drag ya”

and now i'm un-
balanced you should
seen me every this morning
and every morning
stumbling like a drunk into
this wheelchair.


DIZZYING

I’m dreaming on a jet stream
Until it turns into a broken cloud
And the sky returns to a dreamy blue.

The world is dizzying out there
Beyond the glass, cars and prams
And beautiful people branching out
Into reality.




DUENDE
‘ no one puts flowers on the grave of water’
                                                          R. bly
I was baptised
in dark water.
I seen my reflection
in a puddle.
I put my foot in it
It splashed my skin. 

William staffords
‘Moose’ or Raymond
Carvers ‘Dog’or Ted
Hughes’s ‘Crow’

My poems are my thought fox.
Something else is alive.




A FENCED IN POEM

I’m digging for a soul
Without god
In this wild existential
Garden.

I step away from
a sentimental path
and find light in dark
a truth in my truth.

The wind blows
Everything west
the world looks like
a Donegal landscape.



IRISH REPUBLICAN AFTER-LIFE

Ireland
you gave
 me the blues
and this northern gale.

You made me dig
deep in my father’s
soil.

I write this
epitaph
behind you
in stone:

Belfast, Dundalk
and Craigavon
North and South
is beyond.

Interned
in your
special
powers


act.




KNOWING THE UNKNOWN

I.M. Wallace Stevens and John Berryman

Deep in the depths of
 irrationality
I’m being rational
creating accidentally on
 purpose poetry
like a pre-meditated dawn
a disabled reality.

Literature is my desire
to live in this
able-bodied world.

Ive been down the road
 of Lazarus and Berryman
Stood on the edge of my soul

Looked down at the river
But I couldn’t jump
So I resign here with
a blind brow.





THE SANDWICH

I’ve got bread
cheese, tomatoes
and poetry beside
a book of western
philosophy that’s
Last word is life.




THE POETS ESSENTIAL LONELINESS
I.M. William Carlos Williams

Poetry and art
are all that matters.
This waking and sleeping
is a process for that. 
I’m locked in an image:

a full moon and an autumn night.
A prayer of melancholy magic
a spell of natures hold.

The shadowed shapes cast
A projectile of life, a hat, a coat
making this despair live-able,

syll-abled .


WEEPING LAUGHTER


I feel like I’ve been
Released from prison.

All those poems of
Darkness have seen
into this light.

All those days
of tears drip
like leaves in
the autumn air

Re-cycling the cold
stark reality.
I’ll never forget that
diamond path

Now that I can laugh  
away those tears.

BALANCING, GREEN GRAFITTI

I‘m here at the balancing lakes
Among the housing estates with-
In green spaces, the reason why
I came here twenty fives years
Ago drinking thunderbird wine
Like a hobo on them railway
Lines living the Goodyear dream.

I stop at an empty bench plastered
In pink graffiti.   Imagine pink graffiti
In Northern Ireland, imagine kerb-
Stones of pink and white and blue
Or pink white and orange and we’ve
Just came out of a thirty year pink war.

Is my destiny down that left path?

Is it the one less travelled by?

Meandering past the heron standing
Guard, stilled in the waters of green
Graffiti, balancing.


Monday, 8 August 2011



A Wake

History is a nightmare from
 which we are trying to awake”.
                                  James Joyce

I woke up this morning
And the blues were on
My side.  I woke up this
Morning and I felt doped
And drugged and drained.

That was until I saw the blue
Sky.  I had my tea and toast
and tablets ( my five a day)
 drove out to Lough Neagh

And seen the blue sails
of this poem stand erect 
and sail away, confined 
to the acre-age of Ireland  
locked into a mythical port.

I’ve got to break free from
This mooring of tradition
roped into a mythical
mindset.







Friday, 5 August 2011

Draft 1.

The heads of thistle-
down purples my view
by the kitchen window.

They are nearly as tall
as me in this wheelchair.

Swaying softly on a soft
Breeze whispering wisdom.

All I hear are the tongue
Tied twists of reality and
the silence of leaves.

Thursday, 21 July 2011






ABSTRACT HEAD

By Jawlensky


When I saw that painting
for the first time
it  blew my
eyes away.

He studied that form
‘The face’
for ten years
to see what we
cant see.

I can see myself
evolve
In the brush-
Strokes of
his mind.
















THE LIGHT ON THE STONES

I retrace your final journey now in a blue car,
Not black, alone on the motorway.
Passing the Maze prison the stench of my engine
Overheating is like gunpowder, spent shells,
Lingering, your dream of Irish freedom.

I climbed the mountain graveyard
Above the violent divided the city,
Above the peace-line that stood between us
In the living -room.

Your plot all weeds,
And wild grass cries out for order.
The fallen wooden cross bears no name;
But you are there. Like a sculptor
With clay I reach inward, my hands
As delicate as salmon wings riding
The white water, struggling
The strong currents of grief.

I brush the soiled tears from your eyes
And you wake in me, swimming
And glistening in mine. My hands
Shape the clay moulding our wounded past,
Emerging in the light on the stones.


Nucella


‘Imperfection is the language of art’
                                       Robert Lowell

I was reading your biography by Ian Hamilton;
During the 15th chapter I discarded the bookmark,
A postcard I bought in Galway.
The title was: Happy Dogwelk, (Nucella):
A finger, the pale shade of marine life,
Blending with starfish and seaweed, pointing
To the seabed.

Now I know where I stand in your intricate
Hard waters.

I sit here at the dining room table, filled
With whisky, beer and poetry.
I look up into a mirror that shows my way
upstairs, if I dare move from this spot
And chance my way into the reflection
of the first day of March.
Then, only then, will I descend the stairwell
Of my youth.

"Dolphin"
" My eyes have seen what my hand did.”

I wish I had known you,
Even to say hello in the street.
To know why I cry on your words,
To know why I cry, full stop.


NEW CITY BLUES


There are houses
and houses and houses
and trees and stains
of rain on cracked slabs.

Dogs and kids play
in inquisitive ditches
The flowers and the grass
are trampled. 

We live deep
in shadow
like stains
upon the paths
or the shadowed wing-
span of a crow
on concrete.














Thursday, 23 June 2011





GRAPH
For Paul Toner


I got a graph of the times of tides
Sitting here at bishops mill by
The the edge of Strandford lough.
Among the disabled crew.

In wheelchairs  (chariots)
Walking aids, rollators. An army
Of broken force but with a en-
Abled ability armed with song
hope and positivity.


I went on a journey through
The rolling drumlins, the pretty
Villages contouring the shores.


Outside the blue door, my home
The concrete  is cracked like
a fine gel penned line torn
From the atlas of the world
The graph of my tides mapped

coming in.



DISPOSABLE DEBRIS

I fold into a foetus position
And wait for a carer to care.
After I’m washed and dressed
And left at the window watching
A blackbird, my guardian angel
Looking over his realm.

I sit here in the wheelchair in
The kitchen doing nothing.
They say there’s no such thing
As nothing, I watch the leaves
Breeze under a blue sky.

This must be how a prisoner
Feels, the silence must be to
Silent.  At least im almost in
This community.  The waves
Of cars go by, this automated
River flows to the roundabout
And back again.

You have to go down to come up
Everything disintegrates into nothing.
Man can only cry or laugh into
The well of time.  Everything we see,
Touch, taste or smell becomes
disposable debris.

I remember when I awoke from
My tunnel of darkness in a hosp-
Ital bed paralysed with locked-in-
Syndrome.   Hallucinating on drugs
To keep me alive thinking:

 there was a man behind me cutting
up bodies with a chainsaw throwing
the parts into a skip, I was next.
I gripped the blankets and took this
white knuckled ride of trust, breaking
into a cold sweat i even thought
the nurses were going to kill me.

My mind was like gruelly porridge
Or scrambled egg.  Its been six years
Now since that moment my mind
Has began to form into place, a more
Spacious form. 

I’m sitting in a wheelchair in an adopted car
Watching the rain ripple the black-water.
In bold red letters against a white
Back-ground it says: 

Dead end
No wash.



PART 1.............................. NEW AND SELECTED





OFF THE ROAD

A MELANCHOLIC SMILE’
                               tindersticks



I do not want to face the realisation of my condition
but seeing my grandson made me reflect on it. 
Like a child being born and in those early years
the mind forms into something that can grasp language. 
That’s the way I felt in intensive care when I woke
from my stroke trying to grasp the language of these words,
it was as if I was reborn an adult.  It feels like I’m compelled
to write down these feelings of loneliness and silence.  
As if I have to make sense of this scientific term locked-in-syndrome. 

They talk about the power of words but these words really
and truly saved my life it seems as if I’m an alchemist turning muck
into gold and I have found the moment between words.
Without god or some spiritual entity I’m creating a positive force
(these poems) as if my life depended on it.  As all good truth sayers say:
you have to look inside yourself and laugh at the horrors of life
as Bill Hicks said wherever truth love and laughter abide I’m there in spirit. 
I’m a beatnik in this beaten world.  This is my new city blues
my road trip of poem  sorry my wheelchair trip of poems.

yet why not say what happpened
                                 Robert Lowell






KILBRONEY

A cacophony of dawn
Sang from the forest
And stirred us awake.

The sounds echoed a wild-
Life programme as if deep
In the Amazon from exotic
Creatures exclaiming dawn.

We lay together surrounded
By nature caressing every
Sense erogenously.




INCANTATION
For Seamus

My brother took me over two box’s of books
I rifled through my past I thought was forgotten
Old poems, Dostoyevsky, Kavanagh, Kerouac
notebooks and old diaries.

This was my past before my stroke
the one that was like a dream.
Its funny how I don’t remember
And flicking through these I do
Like an old man rediscovering
Or a child with a time travelling toy.

With a box folder of poems written by me
But the overall sense of them seem to be
Written by someone else.

‘you dabble in verse and it becomes your life’
then one day you take a stroke that almost
stops your life dead and your poems seem
to be written in your younger brothers hand.





BARCODE OF LIGHT

The sun shoots in then blinks behind cloud
The day begins like summer mornings do.
I don’t know where this poem is coming from?
the reservoir of survival, a spiritual source?
No one knows I just know its magic
It gives me a purpose and just as I say purpose
The sun pierces my sight and the world
The light shines on my wheelchair
and it becomes my throne.

I am the king of this un-adopted castle
Nature throws its light on my soul
And I label it Buddhist, Christian or Pagan.
You can see why civilisations have worshipped it.
It has the power of an Adidas top or a 60-inch
Plasma screen an I-pod or Nike brand
but this trademark is free.





IN MY ELEMENT

(WILDERNESS)
For jules

I saw the black blue
and mono-chrome
Magpie dance across
The green outside
The window.

Pose on a fence
Beyond this caged
In wilderness.

I’m in my element,
An arts centre
The hide, hiding
On the twelth of July
In the morning.

Waiting for the muse
 to ride me bareback
 through this wilderness.




 MAHAMUDRA
for Kenneth white

‘when the mind finds no place
to stop there’s Mahamudra’.
                                 Mahamudrapadesha


I opened the door to let a fly free

but another one came in

the vastness of grey sky

the old tree contours the wind

the stump rooted among wild, wild, wild, grass

and thistles as high as a man

just off the diamond path that leads to my house

my un-adopted kingdom

the wheelchair slope is all marked like leaf mould

fossils of the past drifting back from nurtured soil

the wind picks up the cars go by and nothing has to happen.






MONKEY POLE......... (the evolution of recovery)

The sun throws
a shimmering
shadow on my wall.
A shadow within a shadow,
an image within a image
like a heat hazed mayhem.
I ponder a book
on the graphic works of
M.C. ESCHER a man way
ahead of his time, his drawings
of rippled water are like
the splash of shadowed summer
on my wall. The evolution
of his surrealism must have been like
the diagrams of Darwins mind,
you have to go down to come up.


Birds become fish and fish become sky
spanning acres of land.
Life is there in that shadow,
Dancing leaves upon my wall.

My carer put me to bed at 9pm (Friday night)
 and left me to play with my monkey pole.

My home is like a hospital
there is a wet room and
and a wheelchair and rails for me
to pull up from but not

pull down.



THE OTHER COUNTRY

For Carol Ann Duffy

The other country is:  
A silhouetted hill
by a lake in a night sky.
The shape of a naked
woman from your dreams. 

I woke up sleeping on
a steering wheel with V.W
imprinted on my forehead. 

I drove north and detoured
left always left around a lake
and started back where I began
in dreams.

The star in the western sky
flickered above my manger
Reading Keats, O’Solitude
and your touchable dreams.

It seems as if Keats seen  9/11
in the first three lines of his poem.
As if nothing has changed
in the poetic span of time.

I dwell in murky buildings
but my soul it is free. 
In here I see the wonder
that is really the blue me. 



NORTH WEST PASSAGE
I.M  of Michael hartnett

Rise little blackbird
To the top of the tree
Your song is witness
To pain and joy.
            

The sky was like a Turner painting
A dusky pink hue, hanging melancholy.
I’m planning to drive to Donegal
And listen to the Lambchop C.D,
This music still drifts me in and out
Of reality.  Driving down the motor-
Way behind a horse box as if
The horses head came from a painting
Into my imagination, galloping bareback
Through the Bann and the Blackwater.
Below a bridge where children wave
Across the Sperrins past the raised ruins
And the raised to the ground ruins of history
On the north west passage through the Fairy
Water into another world embroidered
In memory, thatched in time. 









`

      CONSCRIBED

In Memory of John Hewitt

I drove down the blue stone
And sat by my sisters grave
Waiting for grief to rise.


Poetry comes from the inside
its like trying to make sense
of nothing and make it flow
on the page.

Sitting here beside a river
watching memory meander
and surface there in the current
to wave hello, goodbye,
so rest there Steph and sleep
memory awake.

I am here at home in this
Moment NOW.  These
streets are my glens
these valleys are my cathedrals.

I conscribe this poem having
Breakfast of toast tea and tablets
by an un-stained window. 




Exiled by the space beyond
That blue door.